la frontera

Move over!

Programming Committee, my film discussion blog with Jenn Hsu, is up and running. So, for blurbs on every film I ever see from now on, look for us there!

Sunset Community Film Festival

I've been a fan of Wayland He's Life of Wayland since Rebecca Devlin first shared it with me a few years ago. At the 6th Annual Sunset Community Film Festival, held at Ulloa Elementary School in San Francisco on March 5, He made dozens more fans. His latest short, a funny animation called Worm War I, won the audience award for best film, and I heard many a serious discussion between 6th graders and uproarious laughter from the 3rd graders sitting behind me about the video.

The entire program, chosen and compiled by youth media group SCREAM members, was very good and it was professionally well presented. The best part was sitting in a theater full of an audience of young people, watching a program entirely made and presented by young people, and experiencing the extreme pleasure of everyone involved. Half of the time I had no idea why they were laughing, but they sure were having a good time.

Treats of San Diego

Barbara Hammer and Silas Howard at the Hammer

What a great night. I wish this conversation could have lasted a lot longer- they were just getting started. But what an excellent combination, whoever thought this one up!

WTF

I can't believe I finally finished it. After three viewings over the course of two weeks I have finally finished watching David Lynch's enigmatic Inland Empire (2006). Clearly (well, I use that word loosely...), this film is about Laura Dern's character Nikki Grace's psyche. It's about psychology, movies and reality vs. make-believe in a hodge-podge of visual styles and genres, but mostly horror. I bet if I watched it again I'd get it, but I can't imagine I will ever, ever be driven to do that. If you know me, you know that I'm all about film and media that make you go, "WTF?!" But WTF?! And Whatever.

Wifey

Part of the joy of staying with Mark and Andrea off and on for the past few months has been cooking for them. This also gives me a chance to return to the heart of this blog. Mark is an economist who sometimes works for the World Bank, though appallingly he's never eaten at the World Bank Cafeteria. Out of pity for that deprivation, I like to prepare meals for them when they return from work...

Nordwand Schmordwand

This looks miserable, right? Well it was. There was also a lot of ACTING! bleh. This was a big night out to the Royal with Andrea and Mark. And I guess I never got bored enough to think of leaving. But this movie was a one-trick-pony. What did we need this for? We didn't.

Les chansons d'amour

I finally watched Love Songs (Christophe Honoré, 2007)- and I loved it! Never has a musical worked so well, in my book. I actually didn't mind at all when the cast broke out in song, it seemed as natural as I ever do when I sing while walking down the street. And it was such a relief of a story. French, yes, and refreshingly real! The guy who looks like Albert from Little House on the Praiarie aka Ismaël (Louis Garrel) would drive me up a tree with his silly joker antics. But other than that, this movie did not annoy me at all, remarkable for a musical movie. The songs are actually good. And I'm sure if my French were better I would have appreciated it even more. I love the sexual fluidity, the matter-of-factness of the affairs and the way they affect everyone's lives in the film. And I love that it ends up GAY gay. And I love that it just ends abruptly in the middle of just another love story. And that it's to a Barbara song- no proprietary musical last song-ness. Yum.

The Yacoubian Building

Hmmm...this was a tough one. Admittedly, I am ignorant of classic Egyptian film and Egyptian cinema in general. But The Yacoubian Building (Omaret yakobean) (Marwan Hamed, 2006), touted far and wide as the biggest-budget Egyptian film to date and a great cinematic accomplishment, was hard to take. I'd been expecting something pretty great, since this was the talk of the International Film Festival Rotterdam during my first year there, and I was really disappointed to have missed it then. It was so soap opera-like that I wasn't sure I could finish it. Upon finally viewing it, the main thing I took away from it was that the story entailed a lot of gross sexual coercion in the name of social advancement. That and the realization that I don't know enough about Egyptian history...or ANYTHING about Egyptian history for that matter.

When Taha (Mohamed Imam) became involved with a more radical sect of Islam, it was such a relief to focus on something substantial, something beyond the shame of characters stuck in poverty and feeling yuck-o about sexual favors demanded according to class and status. I guess there was also a fair share of political corruption. And it was thick with the message that violence breeds violence. But the homosexuality stuff was a bit much, not to be celebrated as I'd been lead to believe. The film has caused great controversy in Egypt for  its depiction of homosexuality. But when the Bey Hatim Rasheed (Khaled El Sawy) indulges in a flashback montage in which he is talking to [hideously rendered] portraits of his parents, and his homosexuality is explained by an assertion that his black African caretaker molested him as a child, I had to groan.

The grossest part was probably the clown-like face and particularly the smile of the aged Pasha (Adel Imam) who somehow easily won the heart of the hot young thing of the film, a woman who'd been vehemently discerning till that point.

I haven't read the book, but it MUST be better than the movie...